Condemned to a Perpetual Jacuzzi… With Millions of Your Best Friends is a multi-media body of work that investigates the personal, the socio-political, and the cultural notions of home. The mind’s vision of home is most often held as an idealized placeâ€”the location where meanings and attachments are personal and symbolically intense. Forms of utopian thinking are embedded as the very cornerstone of what the home represents, especially in contemporary media iterations. My work grapples with the lived experience and materiality of the home by redrafting the imagery presented in Interior Design and Architectural magazines. Through collage, painting, performance and video, I subvert the structured and predictable media’s language of desire. At first glance, my work appears â€œhomeyâ€, as the magazine source material is evident, but as details register and accumulate, it becomes apparent that there is a tension between comfort and discomfort in the images. There is disruption and unpredictability in these inaccessible, aspirational spaces. You wouldn’t actually want to live there even though it feels like you might.
Kayla Witt is a MFA candidate at the University of Waterloo, and received a Bachelor of Fine Art from OCAD University. She has exhibited at The Gladstone Hotel, Struts Gallery and Faucet New Media Centre, Critical Distance Centre for Curators, The White House Studio Project, YYZ Artist’s Outlet, Bunker 2, among others. She was awarded the Shantz International Research Scholarship through the University of Waterloo, and worked with Tony Berlant in Los Angeles in summer of 2019. She is also the recipient of the 2020 Sylvia Knight Award in Fine Arts.